It was good news for Mariah Carey fans worldwide when she announced early this year a new deal with Epic Records and a reteaming with the legendary L.A Reid on the production of her forthcoming album.
Today she dropped the only new recording from her new upcoming Greatest Hits album (set for release 18th May) entitled, ‘Infinity‘. We all love Mariah for her incredible vocal runs, her authentic soulful ballad sound and her classic break up lyrics, all of which can be found on this new track!
With L.A Reid on production, this track really does sound like the signature Mariah sound from the 90’s is back. The question is – are the lyrics a dig at ex-husband Nick Cannon? Take a listen below and decide for yourself…
Ive always enjoyed watching music award shows, The Grammys being the one that seemed to be most respected and widely encompassing. It seems to me though that over the past couple of years music award shows have become increasingly repetitive – opting to hand out the same awards to the same artists year upon year and making bizarre winner choices which seem to go against critical and public opinion.
Most recently this year’s Grammy awards saw Macklemore and Ryan Lewis take home 3 out of the 4 awards in the rap category with Kendrick Lamar being awarded none. Whether you are a fan of Kendrick Lamar’s music or not there is no denying that he has reignited rap and hip hop with the release of ‘Good Kid Maad City’ and his ‘Control’ verse along with the controversy that followed it. However the voters of the Grammys (music industry professionals) overlooked his contributions this year despite impressive album sales and critical acclaim to instead award an arguably more ‘mainstream’ act. India Arie described her frustration by tweeting “Kendrick Lamar WAS robbed, BUT he was not the only one who was robbed, though it’s called “Music industries biggest night” the Grammys are NOT about the music, it’s a popularity contest.” Even Macklemore and Ryan Lewis admitted that they wanted to see Kendrick Lamar win an award. I understand the impact of their song ‘Same Love’ and agree it was Grammy worthy but I doubt there are many people who would agree that they should have won the Best Rap Album award!
Best RnB album went predictably to Alicia Keys for Girl on Fire, with 15 Grammys being won out of 28 nominations in a 5 album career is it not time to hand the award to another deserving artist? Admittedly 2013 wasn’t the best year for RnB albums but the soulful offerings of Charles Bradley, K. Michelle and Raheem Devaughn were all overlooked in the RnB category, is this just because they are less well known than the other names nominated?
I had a lot of respect for music award shows, mainly because I enjoyed great music being celebrated, now it feels like the awards go to the biggest name on the nomination list in the hope that the most popular artists are present for the crowd shots and red carpet. If music awards are becoming less credible by the year and failing to reward the diversity and artistry which is now more present in music than ever, then have they become irrelevant?
One person did get it right at the Grammys this year – Kendrick Lamar delivered an explosive performance, if you haven’t seen it yet take a look online! On the more soulful side check out the below video, a track from Charles Bradley’s ‘Victim of Love’ – an album which definitely would have made my Grammy nominee list!!
Erro gives us the perfect start to 2014 by releasing his new single ‘Anymore’, a soulful infectious track about the breakdown of a relationship, it has an old school vibe with Erro’s contemporary twist. The single is the first release from his upcoming album ‘B-Sides, Features & Heartaches’, a collection of previously unreleased singles and songs by other artists which Erro features on, set for release on February 4th. He then promises to release his 9th studio album featuring all new material later in the year.
Enjoy the new track and for those of you in and around London, you can catch Erro performing live at Clapham Grand on Friday 7th February. He is one of the best performers I’ve seen, outstanding vocals, amazing band, he’s humble, really interactive with the crowd and he’s got jokes too – a 2014 must for Soul and RnB fans!
Occasionally great albums go unnoticed and are missed for some reason, I have just discovered one of the best albums I’ve heard all year which was released last month but seems to have been widely overlooked- ‘Saint Heron.‘ It’s a compilation album released by Solange Knowle’s label; Saint Records and features 11 independent artists including Solange herself, Sampha, Cassie and Jhene Aiko.
This is no ordinary compilation, it is organic RnB; soulful and eclectic, every track is unique in style yet they all compliment each other beautifully. It is a great showcase of emerging talent in the genre and has led me to discover artists I hadn’t previously heard like BC Kingdom and Kelela, it also shows Cassie taking her music in a much more soulful, mature direction so looking forward to new material from her.
There is an energy about the album that’s exhilarating, these artists are all making their music their way and it acts as a teaser leaving you wanting more from all of them. If you want to here something fresh and soulful get a copy of Saint Heron now – it will not disappoint!
One of the highlights for me on Drake’s Nothing Was the Same
album is ‘From Time’, because aside from the fact it’s a great track it features an
artist called ‘Jhene Aiko’ who I had never heard of before. I was amazed at how
distinctive, almost haunting her voice was on the track and couldn’t wait to
hear her solo material.
‘Sail Out’, the first EP from Jhene Aiko recently dropped
and it did not disappoint. It contains 7 tracks, all of which Jhene wrote,
every one individual in style and lyrical content. What struck me the most upon
my first listen is how unlike anything I’d heard before ‘Sail Out’ is, it’s
soulful but with a hip hop edge to it and I cannot liken the sound to any other
artist or even put it in a genre. Jhene uses lyrical content that typically you
would hear from male artists, singing, ‘Can I hit it again’, ‘Gotta get this
paper’ and ‘We Should Just get Naked’, which adds to her individuality as she
brings an undeniable assertiveness on her tracks.
Production on the EP is flawless, all tracks except one owing credits to the still relatively unheard of duo, ‘Fisticuffs’
who have so far worked almost exclusively with Miguel and Jhene I cant wait to
hear more tracks from these guys!
When I listened to the EP the most overriding impression I
was left with is that I was listening to an artist; this woman clearly knows
exactly the type of music she wants to make and is making it refusing to adhere to genres or stereotypes. ‘Stay Ready’ is my favourite track on ‘Sail Out’ and it takes a superior level of
confidence to record a track as a new
artist with the hottest name in hip hop; Kendrick Lamar. The track is stunning;
lyrically and musically complex, changing tempo and sound half way through and
at 6 minutes long Jhene risks some DJs not giving it radio air time which again
just reinforces the confidence she has in her creativity.
This alluring EP is a must listen for any soul / neo-soul /
RnB or hip hop fans. Jhene’s style is so unique that I think it will divide
listeners; you’ll either love it or not really get it, but if you don’t get it
I would challenge you to not acknowledge her talent and artistry. I cant wait
for her album to drop next year, bringing this level of talent to the table on
a first EP is an exceptional achievement and something tells me this is just a
small sample of what Jhene Aiko is capable of!
