raheem devaughn | Ronnie Herel Blogizm

13 Mar The Robert Glasper Experiment Raise the Roof at Eventim Apollo

Posted at 16:18h in Uncategorised

So last night Ronnie Herel and I were lucky enough to spend the evening with The Robert Glasper Experiment, and I use that terminology deliberately…I will explain later.

For those of you who are still not familiar (shame on you) Robert Glasper is a musician and producer who recently released two albums; ‘Black Radio ‘ and ‘Black Radio 2‘ with his band under the title ‘The Robert Glasper Experiment‘ and who treated London to a live performance at The Eventim Apollo last night.

From the start of the show one thing was clear – this was going to be a night of effortless, unapologetic musical authenticity. Robert and the rest of the ‘Experiment’ band came on stage sporting their own unique styles but sharing the same laid back vibe with Robert on keys, Derrick Hodge on guitar, Casey Benjamin on lead vocals and saxophone and Mark Colenburg on drums. This collaboration should be re launched named ‘The Robert Glasper Masterclass’ as all 4 members are exceptional, world class musicians who played with finesse and have an incredible chemistry together. Mark Colenbug gave without a doubt the best drumming performance I have ever seen, his sticks did not rest for the first 30 minutes of the show, he was effortless yet so full of energy and I’m pretty sure we could solve the Global energy crisis by using the power which he emulates from his drums!

The night felt like everyone there had been invited to a private jamming sessions in Robert Glasper’s basement, he explained that the group suffer from ‘Musical ADD’, an excellent description as they flowed across genres, mashed and riffed contemporary and classic songs, going from Cyndi Lauper to Janet Jackson to Bill Withers then to J Dilla. The Robert Glasper Experiment were on stage doing their thing – at many points with their eyes closed just feeling the music and that is why I say I spent the evening with Robert Glasper because it didn’t feel like a performer / audience scenario, it was everyone in the room together celebrating their passion for music.

What made it feel even more unique was the way that special guests Raheem Devaughn, Laura Mvula and Emeli Sande all casually joined the band on stage at points to jam with them. Each guest provided roof raising vocals; Raheem Devaughn performing a number of tracks including ‘Worries‘ and ‘Woman‘, Laura Mvula joined for ‘Calls‘ and Emeli Sande for ‘Somebody Else‘ all sounding even more incredible live than on any of their recordings.

Robert Glasper was the ultimate charismatic front man; funny, genuine and infectious, he was clearly having the time of his life on stage and you couldn’t help but feel the same. This experience was unique and exquisite, I would challenge anybody who is passionate about music regardless of genre not to be in awe of the performance that The Robert Glasper Experiment gave last night and if you were not fortunate enough to be there then make sure you don’t miss out next time!!

Carly – ann (@CarlyMond)

The Robert Glasper Experiment and Laura Mvula – ‘Calls’

01 Feb The Grammys – Still Relevant??

Posted at 19:13h in Carly-ann Mond, Uncategorised

Ive always enjoyed watching music award shows, The Grammys being the one that seemed to be most respected and widely encompassing. It seems to me though that over the past couple of years music award shows have become increasingly repetitive – opting to hand out the same awards to the same artists year upon year and making bizarre winner choices which seem to go against critical and public opinion.

Most recently this year’s Grammy awards saw Macklemore and Ryan Lewis take home 3 out of the 4 awards in the rap category with Kendrick Lamar being awarded none. Whether you are a fan of Kendrick Lamar’s music or not there is no denying that he has reignited rap and hip hop with the release of ‘Good Kid Maad City’ and his ‘Control’ verse along with the controversy that followed it. However the voters of the Grammys (music industry professionals) overlooked his contributions this year despite impressive album sales and critical acclaim to instead award an arguably more ‘mainstream’ act. India Arie described her frustration by tweeting “Kendrick Lamar WAS robbed, BUT he was not the only one who was robbed, though it’s called “Music industries biggest night” the Grammys are NOT about the music, it’s a popularity contest.” Even Macklemore and Ryan Lewis admitted that they wanted to see Kendrick Lamar win an award. I understand the impact of their song ‘Same Love’ and agree it was Grammy worthy but I doubt there are many people who would agree that they should have won the Best Rap Album award!

Best RnB album went predictably to Alicia Keys for Girl on Fire, with 15 Grammys being won out of 28 nominations in a 5 album career is it not time to hand the award to another deserving artist? Admittedly 2013 wasn’t the best year for RnB albums but the soulful offerings of Charles Bradley, K. Michelle and Raheem Devaughn were all overlooked in the RnB category, is this just because they are less well known than the other names nominated?

I had a lot of respect for music award shows, mainly because I enjoyed great music being celebrated, now it feels like the awards go to the biggest name on the nomination list in the hope that the most popular artists are present for the crowd shots and red carpet. If music awards are becoming less credible by the year and failing to reward the diversity and artistry which is now more present in music than ever, then have they become irrelevant?

One person did get it right at the Grammys this year – Kendrick Lamar delivered an explosive performance, if you haven’t seen it yet take a look online! On the more soulful side check out the below video, a track from Charles Bradley’s ‘Victim of Love’ – an album which definitely would have made my Grammy nominee list!!

Carly – ann (@CarlyMond)

Charles Bradley – You Put the Flame on It