It’s been a while since we’ve heard the soulful stylings of Jamie Foxx, after delivering huge RnB hits on his 2006 album, ‘Unpredictable‘ Foxx failed to make an impact with his follow up 2010 album, ‘Best Night of My Life‘.
Sounding back on top form Jamie Foxx has dropped a new track today entitled, ‘Ain’t My Fault‘ produced by singer and producer Mario Winans. With a smooth,seductive vibe and Jamie’s vocal’s sounding on point, the track is a must for all RnB fans. Unfortunatley there is no official word on a new album, so until we here more just hit repeat on this one!
The music industry is tough right now, with the landscape of how artists create music and market themselves changing almost daily. Talented artists with proven longevity are rare, independent artists with longevity are even more rare which is why independent singer, songwriter and producer Eric Roberson should be especially proud of the release this week of his 10th studio album ‘The Box.‘
Eric Roberson boasts a music career spanning 15 years, he has an established sound and a dedicated fan base which brings with it high expectations from new album ‘The Box‘ and he does not disappoint. For anyone out there looking for ‘real’ music with soul, instrumental exploration and impeccable songwriting, Erro’s ‘Box‘ contains all of this and more!
Upon first listen two things struck me about the album, the first being how incredible the variation of live instruments on many of the tracks is, so much care has been taken over the production and ‘sound’ of each song with talented musicians blending with Erro’s vocals, each track feels really alive, like they could burst out of your speakers! There has been a lot of criticism of late that music has become too over-produced with an absence of instrumental emphasis, this album fills that void. A great acheivement in production, credit must be given to producers Brett “Bdubb” Baker, Aaron Hardin, Jeff Murrell, Erro himself and more who have created the flawless sound of the album.
The second realisation (as I tried to listen to ‘The Box‘ at work) is that this is not an album for passive listening, Eric Roberson is a storyteller and as much as you might try to use music for ‘background’, his deeply personal and evolving lyrics will steal your attention and embrace you back into the songs. Erro himself describes the album as ‘grown’ and his lyrics are just that with songs like, ‘Lust for Love’ and ‘Im Not Trying To Keep Score No More‘ exploring the rarely talked about challenges of long term relationships. The motivational ‘Don’t Hide Your Wings‘ boasts the knowledge of a man who understands the pressures that women face and the battles many have with self esteem, ‘The Pill‘ explores fears of commitment whilst ‘Do The Same For Me‘ expresses the contentment of a happily married family man (if you reach the end of this track without shedding a tear check your pulse!).
The Box ebbs and flows across different musical styles, from the hip hop vibe of ‘The Cycle‘ which features Pharoahe Monch, to the infectious swing sound of ‘Pill‘, ‘Haunted‘ has a classic jazz flava then Erro brings the funk with help from Dave Hollister on ‘The Box‘. One of the most distinctive tracks on the album is ‘Just Imagine‘ which touches on a more indie style of RnB and features the hauntingly beautiful guest vocals of ‘King‘.
The range of styles on this album could divide fans, but whether or not you think that this is Erro’s best album it is undoubtedly his most confident, it is bold and experimental whilst keeping within the genre which his audiences know and love him for. His vocals are stronger than ever on The Box, we hear him demonstrate a lower range as well as exploring a raspier, funk style to his voice on tracks such as ‘Pill‘.
The Box is bursting with soul and variety, more than an album it is a musical journey through RnB styles and Eric Roberson’s life, it will make you sing, laugh, dance, and cry and have you reaching for ‘repeat’ to experience it all over again! If you’re a Music Fan First you need to get yourself a copy of The Box – it will not disappoint!
Carly – ann (@CarlyMond)
In the past I have not been the biggest Beyonce fan, Destiny’s Child never really did it for me and when the ladies went solo I always preferred Kelly Rowland’s music. However there is no disputing the fact that ‘Queen B‘ is an absolute superstar! Her recent genius move of releasing a suprise visual album on ITunes demonstrated that not only is she on top of her game musically, she is ahead of the game when it comes to marketing herself and understanding the music business.
Things were all going so well; she had smashed another international #1 album, sold out a global arena tour and then came the ‘elevator’ incident with husband Jay Z and sister Solange – which did not look good for anyone involved! However Beyonce handled the fallout like a pro, publicly stating that she is part of a normal family and sometimes people fall out!
In a genius move she has addressed the issue head on in the lyrics to this fresh new remix of ‘Flawless‘ which features Nikki Minaj, where she explains, ‘We escalate up in this bitch like elevators, of course sometimes shit goes down when it’s a billion dollars on the elevator.’. I always think it’s an admirable thing when artists address negative publicity head on and aren’t afraid to talk about it, not only is this a great track, co-produced by Hit Boy and Boots but it shows a ‘human’ side to the international icon.
Exploring the flaws of her recent family feud has definitley propelled Beyonce one step closer to being ‘Flawless’….enjoy!
Who can forget when Mase stormed on the music scene in 1997 with his debut album Harlem World, featuring RnB classics such as ‘Tell Me What You Want‘ and ‘Feels Good’? But despite the success of this album and his second ‘Double Up‘, Mase made a shock announcement live on radio in 1999 that he was retiring from music to answer a ‘call from God’ and become a Pastor.
Subsequent years have seen attempted comebacks with some success and this week Mase dropped a new track featuring Eric Bellinger entitled, ‘Nothing‘ from his forthcoming album ‘Now We Even‘. Mase has teamed up with Chris Brown’s ‘Loyal‘ producer Nic Nac, so what the track lacks in lyrics it makes up in beats, but the question remains – is Mase still relevant?
Decide for yourselves and check out the new track below:
In honour of National Record Store Day, I look back at one of the most innovative Soul Records…
Artist Terence Trent D’Arby released his debut album ‘Introducing the Hardline’ In July 1987; a power force which stormed through the UK charts spending nine weeks at the number one album chart spot. The album produced four top 20 singles and earned Terence Trent D’Arby a Grammy for Best Male R&B Vocal Performance and a Brit Award.
The success of The Hardline was hugely influential to the UK RnB scene, as the album was released whilst D’Arby lived in the UK we adopted him as out own! UK RnB whilst thriving in the 1960s and enjoying some success in the 1970’s was struggling in the 1980’s to gain pace above the underground scene with the exception of Sade. Terence Trent D’Arby was the full package, he had a strong iconic image with long dreadlocks, an undefinable golden skin tone, a sultry pout and of course huge shouderpads! He had almost complete artistic control over the album, writing seven out of the eleven tracks and producing the project; a rare amount of artistic licensing for a debut album. Terence Trent D’Arby was making a statement – he was not just a singer, he was an artist.
The album oozed influences from every area of urban music from reggae, blues, the funk of ‘Dance Little Sister’ to the stripped back soul of ‘Sign Your Name’ to the Motown nod in his rendition of ‘Who’s Loving You’. The production of the album is flawless, mature and at times boldly experimental; boasting layered and complex instrumentals on every track and the vocal range that D’Arby demonstrates is second to none.
The Hardline paved the way for many UK soul artists as it grabbed international attention, the couple of years that followed in the UK soul scene saw the arrival of Omar, Soul II Soul and many of the ‘acid jazz’ groups. Influences of this album also became apparent in the 1990’s during the arrival of the ‘Neo – Soul’ movement in the US, when artists such as D’Angelo, Maxwell and Erykah Badu appeared sporting similar sounds, experimental production and even styles as Terence Trent D’Arby.
Most importantly , Introducing the Hardline has retained its credibility and relevance. Dust off your old copy,or listen for the first time, it still sounds innovative and fresh and is in my opinion, a milestone soul album.
I have just returned from Cape Town bringing good news for all Erykah Badu fans; Erykah headlined the prestigious 2 day Jazz Festival on the main stage and I can confirm that she looks and sounds better than ever!
The atmosphere at the venue was intense with anticipation for Erykah’s arrival and she came on to stage to possibly the best crowd reception I’ve ever heard! Her style was understated; wearing over sized workman’s trousers, a simple black shirt and a mountain hat with her hair wrapped in a scarf underneath, she looked stunning regardless – no gimmicks or extravagance required, which mirrored the tone for the performance.
Here is an artist who does not need any extras, she gets by on talent and conviction of her lyrics alone. The Neo-Soul Queen was the ultimate eclectic ‘one man band‘; she sang, she rapped, she even had a multi platform electric pad on which she created synth melodies and added sound effects to her tracks. With a clear awareness of her fans she sang all of her hits; ‘Love of My Life‘, ‘Next Lifetime‘, ‘I Want You‘ and ‘Tyrone‘ during a set which lasted over an hour, before returning to perform an explosive encore of ‘Honey‘, ‘Window Seat‘ and ‘Bag Lady‘ finishing up with a crowd surf sending the audience into an excitement frenzy that left everyone on a high.
The show saw some tender and emotional moments too during some of Erykah’s more stripped back tracks and particularly during a birthday tribute that she gave to her backing singer sister , ‘Nayrok‘ who shared the stage with Erykah and who she thanked in a tearful speech for her continued support. Clearly humbled by the response from the Cape Town crowd Erykah expressed sincere gratitude several times and said she felt like she was ‘Home‘.
The show was mesmerizing, energetic and humble and what was so evident was that Erykah Badu has maintained a huge global passionate fan base. The demand from fans and crave for new material is there, the talent is clearly still there, possibly stronger then ever, the love of music from Erykah is still there, so hopefully we won’t have to wait to long for this exceptional artist to be back on the scene with new material.
Until then we relive the classics….and there are so many….enjoy!
I just had to write about everything that’s been going on in music this week! For RnB fans, especially those of us that love the 90’s vibe this week has been colossal in the world of music. So if you’ve slept all week or been working too hard to take note, here’s what you’ve missed:
The week began with the return of Babyface and Toni Braxton on their collaboration album, ‘Love, Marriage & Divorce’. No doubt people will have misconceptions that an album by these 2 artists will be full of ballads but don’t be mislead the album is Fresh! Babyface and Toni’s voices have never sounded stronger and the vibe of the album is slick, sophisticated soul; ‘Sweat’ and ‘Heart Attack’ in particular are great up tempo tracks.
Then came the Timbaland leak during an online fan chat that he is in talks with Devante about working on the new Jodeci album!!! It’s been 18 years since the RnB sensation released a new single and the music world is so hyped about the return it even made a feature in the Guardian newspaper! Maxwell teased and excited fans with the news that he has finished recording the second installment of his ‘Blacksummer’s Night’ trilogy tweeting, ‘#Summers #recording #finish‘. Jermaine Dupri has also been tweeting from the studio this week, he’s been reunited with Mariah Carey, P. Diddy and Trey Songz and promised us all he’s working on ‘#somuchnewmusic’
As if that wasn’t enough Eric Roberson dropped his new album, ‘B-Sides, Features and Heartache’s’, Miguel released an incredible new track, ‘Simple Things’ and in hip hop Nas announced that he will be releasing a 20th Anniversary 2-disc special edition of ‘Illmatic’, entitled ‘Illmatix XX‘ expected to drop on the 15th of April.
The hottest track of the week for me has been ‘Take It’ by Amp Fiddler feat Rapheal Saadiq from his latest EP ‘Basementality 2’ and if you’re a Raphael Saadiq fan you can catch him live with Tony Toni Tone, Blackstreet, En Vogue, Mint Condtion, Total, Silk and Kut Klose at Wembley Arena on the 15th of February for the ‘RnB Superstars Valentines Special.’
How will the world of RnB top this? Looking forward to next week………….
Ive always enjoyed watching music award shows, The Grammys being the one that seemed to be most respected and widely encompassing. It seems to me though that over the past couple of years music award shows have become increasingly repetitive – opting to hand out the same awards to the same artists year upon year and making bizarre winner choices which seem to go against critical and public opinion.
Most recently this year’s Grammy awards saw Macklemore and Ryan Lewis take home 3 out of the 4 awards in the rap category with Kendrick Lamar being awarded none. Whether you are a fan of Kendrick Lamar’s music or not there is no denying that he has reignited rap and hip hop with the release of ‘Good Kid Maad City’ and his ‘Control’ verse along with the controversy that followed it. However the voters of the Grammys (music industry professionals) overlooked his contributions this year despite impressive album sales and critical acclaim to instead award an arguably more ‘mainstream’ act. India Arie described her frustration by tweeting “Kendrick Lamar WAS robbed, BUT he was not the only one who was robbed, though it’s called “Music industries biggest night” the Grammys are NOT about the music, it’s a popularity contest.” Even Macklemore and Ryan Lewis admitted that they wanted to see Kendrick Lamar win an award. I understand the impact of their song ‘Same Love’ and agree it was Grammy worthy but I doubt there are many people who would agree that they should have won the Best Rap Album award!
Best RnB album went predictably to Alicia Keys for Girl on Fire, with 15 Grammys being won out of 28 nominations in a 5 album career is it not time to hand the award to another deserving artist? Admittedly 2013 wasn’t the best year for RnB albums but the soulful offerings of Charles Bradley, K. Michelle and Raheem Devaughn were all overlooked in the RnB category, is this just because they are less well known than the other names nominated?
I had a lot of respect for music award shows, mainly because I enjoyed great music being celebrated, now it feels like the awards go to the biggest name on the nomination list in the hope that the most popular artists are present for the crowd shots and red carpet. If music awards are becoming less credible by the year and failing to reward the diversity and artistry which is now more present in music than ever, then have they become irrelevant?
One person did get it right at the Grammys this year – Kendrick Lamar delivered an explosive performance, if you haven’t seen it yet take a look online! On the more soulful side check out the below video, a track from Charles Bradley’s ‘Victim of Love’ – an album which definitely would have made my Grammy nominee list!!
Yes Soulquarians,
let me introduce you to new hot soul singing sensation E.B.R.U
She’s mad talented t’is all i’m sayin.
Check the video of her debut single “Mad” which is uber soulful!!
I’ll keep you posted on future E.B.R.U-ness!
In the meantime…enjoy
Bless up
RH
