01 Nov Jessie J Review

By Anna Nathanson

I recently had the pleasure of seeing star in the making Jessie J twice in the space of a week, first at Notting Hill venue YoYo’s where she performed songs from her forthcoming album and then a longer set with a full band at Hoxton Bar & Grill.

Both shows were roadblocks with massive queues outside as fans waited to see the starlet in action, with many missing out due to the sheer number of people vying to get in.

After gaining notoriety on Youtube, the 22-year-old BRIT School graduate signed to Island Records and has already written for the likes of Alicia Keys, Justin Timberlake, Chris Brown and Christina Aguilera, as well as penning a US Number 1 smash, Party In The USA for Miley Cyrus.

Now she is set to become a star in her own right and judging by these early live performances, it won’t be long before she is playing much bigger venues. It was clear that she already has a dedicated fan base, with people knowing every word to many of the tracks she sang.

She appeared comfortable and entertaining on stage, joking with the crowd and shouting out 1Xtra, who recently playlisted her debut single Do It Like A Dude, an infectious hooky track which she originally wrote for Rihanna. Huge ballads such as Big White Room, Who You Are and Casualty of Love showed off her voice to full effect, and along with more uptempo numbers such as Stand Up and Price Tag, it was clear that Jessie J’s material matched her powerful vocals, adding up to a surefire recipe for the next big thing in British music.

www.annanathanson.co.uk

31 Oct Jay Sean Interview

By Anna Nathanson

Last year saw British R&B singer Jay Sean make history by becoming the most successful UK male Urban artist in US chart history. Now signed to Cash Money, Anna Nathanson caught up with the star as he prepares to release his latest album Freeze Time.

The Pop/Dance/R&B sound has really taken off, why do you think that is?

I just think it’s time; music changes, that’s just the evolution of it. We call Michael Jackson the King of Pop, yet it’s interesting that he’s inspired so many Soul singers and so many artists from all genres. It’s just what popular music has become. A couple of years ago it was all about Rock music, and that was Pop music. And now Dance meets R&B has become Pop music. It’s just timely that the songs I happen to release are during the time when it’s really kicking off.

Have you ever felt any pressure to do that sound?

I think I was very much at the forefront of it, releasing Down and Do You Remember. When I came to America there was a gap in the market, there were no male solo artists doing that at that time and the lane was clear. Chris Brown wasn’t there, Ne-Yo was taking some time off and so was Usher at the time. So I thought “Wow, maybe I can do this!” I was very fortunate to get in there at the right time.

What will your new album sound like?

It’s a Pop/R&B album, and there will be extremes of the genres on there as well. You have 2012, which is perhaps the poppiest song I’ve ever done, but then the song I recorded a video to yesterday is very urban; it’s a real R&B club record with Birdman on it. The album highlights the two musical genres that I do best and somewhere in the middle you’ll get a nice blend of the two.

Is America ready for Grime?

I think certain parts of America might be ready for it. I’ve already heard some Grime playing in various boutique shops in New York. In order for it to really break, it has to become a popular genre of music on a mass level. Coming to America has shown me that they need to be able to relate to your music. Not only the cool people in New York or the trendies in LA, it needs to go across the whole of America, you need to pick a random household in Wisconsin and see if they play Grime music on the radio, and that takes a while I think.

Why do you think you’ve connected so well in America?

You really need to think about the music you’re putting out there, to pull people in, to introduce them to you. And I consciously put out music that would be a good introduction to a new artist. When people hear a song on the radio in America, it’s very different to the UK; they play it for months. Down is still playing a year and a half later on radio. I’m hearing the same songs play every hour in every State in America. They’re songs that people just enjoy singing along to, and that’s how I managed to do what I did over here.

Who’s next up in terms of UK talent crossing over to America?

I’ve heard that N-Dubz are being signed here to L.A Reid, which I’m very happy about because I love those guys. I did a song called I Still Love You with Tinie way before we both blew up, and I’m so happy that we’re both doing well now because we all supported each other from way back. Hard work and self-belief pays off. I think he’s got some skills that could work in America, as his tone and his style are very universal. When I get back to the UK I’m going to hit up Giggs and Example to see if I can do anything with them.

You’re part of Cash Money, is it like being in a close-knit family?

It would be if we had the time. If you’re as big as Drake or Nicki Minaj, you don’t stay in the same place for longer than a day. Our diaries are just so busy, I saw Nicki just once since doing the video for 2012. We all talk on the phone, but it’s just so difficult to see each other.

Have you visited Lil Wayne in prison?

No, I haven’t you know. I really want to figure out a way to go and see him. Cash Money have a crazy entourage, they have about 100 guys rolling with them. And obviously a lot of people want to go and see Wayne and they’re all family and his best friends. So I haven’t really had a chance to go but I’d really like to.

What’s been your maddest encounter with a celeb?

Beyonce told me that she really enjoys my music and said that she has the CD at home!

You were privately educated and got straight As. How important is it to have a back up plan and what was yours?

I wanted to be a doctor and got into medical school. But I never let go of my dream of making it in the music industry. Getting an education is important as it helps you get on in the world. You have to be knowledgeable, regardless of the job you get into.

www.annanathanson.co.uk

11 Oct Plan B concert

By Anna Nathanson

Friday night saw Forrest Gate’s finest Plan B perform the first of his sell out London dates at Brixton Academy. With a number one album to his name and one of the most popular songs of the year, 2010 has seen the angst-ridden MC transform into a household name. Long gone are the days when he sat casually dressed in jeans and a T-Shirt, spitting watertight lyrics while strumming a guitar on stage.

The newly reinvented Plan B emerged in a suit and tie, and against the dark, atmospheric background and supported by his amazing band, proceeded to perform tracks from his Motownesque album The Defamation of Strickland Banks. The extent to which he connects with the audience was clear; from the very first track everyone sang along, demonstrating how much this album has cut through.

The performances of the singles were particular highlights, especially the catchy She Said, and he performed just one track from his previous album, the controversial Charmaine. Showing that he has retained his Hip Hop roots, Plan B started the show by beatboxing, and ended it by singing classic songs such as Ain’t No Sunshine and Kiss From A Rose over Dubstep beats.

In an interview with him some three or four years ago, he told me that what many people don’t realise about him is his ability to write pop music. I remember going to a few of his shows back then, and while his sound has completely changed, his ability to put on a captivating show has not.

Plan B has successfully managed to gain enormous mainstream appeal whilst remaining a core act within urban music, and the clever and unexpected way that he has switched his style just goes to further show his versatility as an artist.

Words by Anna Nathanson / Photo by Jordan Saflor

06 Oct An evening with Rihanna

By Anna Nathanson

Rihanna’s in town and so she hosted an exclusive industry shindig at the plush Sketch venue in the heart of central London yesterday evening. Sitting on a red armchair surrounded by candles and petals, she took the audience through a selection of what she promised were the best tracks from her forthcoming album Loud.

“This track had such a big vocal so I wanted to make sure I could pull it off. It was a challenge but I really enjoyed it” she said of current radio record Only Girl.

Next to be played was what is set to be her second single from the album, an R&B number entitled What’s My Name, describing it as a “sassy, flirtatious, fun record”. With Stargate being behind three of the five tracks showcased, Rihanna also enlisted the help of Drake and of course organised the obligatory Nicki Minaj feature which has become pretty much standard these days.

The statuesque Bajan beauty looked stunning in towering stilettos and a stylish flowery outfit, and as each track played she bopped her head to the beat. The venue and mood of the night felt pretty glamorous, with white furniture, candle lit tables and canapés and cocktails being served on trays. The futuristic bathroom contained individual white pods instead of cubicles and each pod came with it’s own sonic theme, from airport sound effects to people laughing and clapping.

The songs we heard seemed to be split between big, dancey, thumping numbers and more traditional R&B tunes, and there was of course a massive ballad which has hit stamped all over it, called California King Bed. “When I first heard it I thought it was a great song and couldn’t wait to record it” said the superstar.

As each track played, images of clouds and trees were projected on all walls to accompany the music. “The record sounds best when you listen to it out loud” Rihanna advised, explaining that she hates having to skip past songs. “I wanted to make an album where you could just press play.”

www.annanathanson.co.uk

06 Oct DaVinChe

DaVinChe Interview Link

Click the above link to view Anna Nathanson’s interview with London based producer DaVinChe at his South London studio.

As well as working with the likes of Tinie Tempah, Kano and Tinchy Stryder, DaVinChe  is also a classically trained guitarist and pianist and has conducted a concert for the BBC’s Urban Classics.

He continues to produce a range of different genres, from R&B to Grime, and is currently working with artists such as Aggro Santos, Cleo Sol, Bashy and Wretch 32.

www.myspace.com/davinchemusic

www.annanathanson.co.uk

With special thanks to Rafael Bettega and Jackie Davidson